Archive for March, 2017

Friday, March 10th, 2017

Open to Life

We talk about directors who are open, either to the spontaneity of their actors (Robert Altman) or to chance events (David Lynch). No director has been as open as Jean Renoir. Boudu Saved from Drowning (1932) is not only an early sound film for Renoir, it’s an early sound film for the French cinema. Like […]

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Friday, March 10th, 2017

Ways of Escape

We talk about the great directors, yet it’s always a group effort. It takes a strong director to steer the many divergent elements in the same direction. When the process works, all the elements fit together so the result is equal to more than the sum of the parts. The Third Man (1949) is a […]

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Friday, March 10th, 2017

As Perverse as a Nightmare

Touch of Evil (1958) became a great film because of a misunderstanding. Charlton Heston had agreed to appear in a police drama for Universal Pictures, but only because he thought Welles was signed to direct it. Welles, in fact, had agreed only to act in the film. In a 1965 interview with the French magazine […]

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