Archive for January, 2018

Wednesday, January 17th, 2018

Character

The Hustler (1961) is one of the best sports film ever made, though it doesn’t feel like a sports film. Gone is the pure exhilaration you feel when the hero succeeds, or the gritty resolve you experience when the hero faces a temporary setback. Director Robert Rossen’s earlier sports movie, Body and Soul (1947), hews […]

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Wednesday, January 17th, 2018

Strength in Unity

The second film in John Ford’s cavalry trilogy, She Wore a Yellow Ribbon (1949) is best viewed as a companion piece to Fort Apache (1948). Where in Fort Apache, ritual and duty are questioned and even challenged, She Wore a Yellow Ribbon affirms ritual and duty as both necessary and honorable. As a result, Captain […]

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Wednesday, January 17th, 2018

Born on the 4th of July

Many people are surprised that James Cagney’s only Oscar was for his role in Yankee Doodle Dandy (1942). One reason is that the Academy doesn’t tend to reward performances in genre films, such as gangster, adventure, or science fiction films. It also doesn’t tend to reward performances in musicals, though Yankee Doodle Dandy was an […]

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Wednesday, January 17th, 2018

A Madcap Ride

Can one film save a failing movie studio? If the film is It Happened One Night (1934), it can. Columbia Pictures needed a hit in order to survive, and it was a gamble for the studio to spend $325,000 on this project, especially since several bus-related movies had recently failed at the box office. Fortunately, […]

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Wednesday, January 17th, 2018

Inspired Lunacy

I had a difficult time compiling my Top 20 Screwball Comedies list. The biggest challenge was where to put Bringing Up Baby (1938). In the end, I gave it the number two spot, right behind Duck Soup (1933). Andrew Sarris referred to Bringing Up Baby as the screwiest of the screwball comedies. In an article […]

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Wednesday, January 17th, 2018

Glorious Excess

How do you top the untoppable? That was the problem facing Busby Berkeley and the Warner Bros. Studio back in 1933. Following the success that same year of 42nd Street and Gold Diggers of 1933, how could they make the script funnier, the pacing faster, and — most importantly — the spectacular musical numbers even […]

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Wednesday, January 17th, 2018

A Fine Lubitsch

Ernst Lubitsch had no equal when it came to crafting sophisticated comedies. One of the first sound-era Hollywood directors known and revered by the public, his “Lubitsch touch” represented the pinnacle of intelligent humor. His version of The Merry Widow (1934) still towers over other comedies. As Herman G. Weinberg pointed out in his book […]

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Monday, January 1st, 2018

Heaven on Earth

Wim Wender’s Wings of Desire (1987) is an unusual film. It’s the story of the guardian angels who watch over the citizens of Berlin. One angel (named Damiel) yearns to become mortal, so he can experience firsthand what humans see and feel. On one level, this film explores universal themes: the loneliness of being human, […]

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Monday, January 1st, 2018

Better Than Kane?

Is Ambersons better than Kane? If you’re talking about the first part of the film, then the answer is yes. The problem with The Magnificent Ambersons (1942), which Orson Welles directed just a year after Citizen Kane, is it was re-edited and given a happier ending. In his book Orson Welles, Joseph McBride quotes Welles […]

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Monday, January 1st, 2018

Sublime Satire

In a letter to film historian Herman G. Weinberg, director Ernst Lubitsch cited Ninotchka (1939) as one of his three best films. Lubitsch wrote, “As to satire, I believe I probably was never sharper than in Ninotchka, and I feel that I succeeded in the very difficult task of blending a political satire with a […]

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Monday, January 1st, 2018

A Leap of Faith

If the measure of a classic film is its ability to withstand the erosions of time, 2001: A Space Odyssey (1968) would have to be regarded as the best science fiction film of all time. Though we have moved beyond it chronologically, its predictive value still seems valid. The decades-old special effects also hold up […]

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