Archive for April, 2017

Saturday, April 29th, 2017

Richly Rewarding

Sergeant York (1941) poses a problem for film scholars. Immensely popular at the time of its release, the movie doesn’t quite fit into director Howard Hawks’ canon. Hawks didn’t have much leeway with the story, which was based on the true-life events of the best known and highest decorated hero of World War I. Released […]

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Saturday, April 29th, 2017

Crowd Control

Fritz Lang’s first American film after fleeing the Hitler regime in Germany, Fury (1936) is a terrifying look at how good people can go bad when swayed by the darker instincts of a crowd. The incredible scenes where the mob tries to lynch an innocent man recall the workers frantically fleeing the city in Metropolis […]

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Saturday, April 29th, 2017

Well-Oiled Machine

Mildred Pierce (1945) is the kind of competently directed Hollywood film from the 1940s that seems better each time you watch it. Like Michael Curtiz’s other outstanding drama from that decade, Casablanca (1943), everything seems to click — uniformly fine performances, a terrific script that never misses a beat, and a first-rate musical score (Max […]

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Saturday, April 15th, 2017

Glorious Excess

How do you top the untoppable? That was the problem facing Busby Berkeley and the Warner Bros. Studio back in 1933. Following the success that same year of 42nd Street and Gold Diggers of 1933, how could they make the script funnier, the pacing faster, and — most importantly — the spectacular musical numbers even […]

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Saturday, April 15th, 2017

A Madcap Ride

Can one film save a failing movie studio? If the film is It Happened One Night (1934), it can. Columbia Pictures needed a hit in order to survive, and it was a gamble for the studio to spend $325,000 on this project, especially since several bus-related movies had recently failed at the box office. Fortunately, […]

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Saturday, April 15th, 2017

Solid Value

Only Preston Sturges could begin a movie with a frantic-paced ending to another movie that doesn’t even exist, and then weave the story so it circles back to explain the improbable beginning. The Palm Beach Story (1942) is Sturges’ funniest film. That’s high praise when you consider that so many of his other directorial efforts […]

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Saturday, April 1st, 2017

Eighth Wonder of the World

When a film (or its star) rises to the status of cultural icon, it’s easy to forget why it became a part of the social fabric. We may forget Fay Wray’s scream is almost primal in its intensity. We may forget the feverish pace at which the story unfolds once Kong appears. What we don’t […]

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Saturday, April 1st, 2017

Sparkle and Shine

Seventy-four years after its release, how do we sort out the merits of a movie like Camille (1936)? Strictly in terms of Garbo’s performance, it may be her finest sound film. Yet with all her films (with the exception of Lubitsch’s atypical Ninotchka), there was always something that kept the whole from being better than […]

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Saturday, April 1st, 2017

Individuals, Not Stereotypes

In the 1930s, just about everyone went to the movies. That didn’t mean every movie was targeted to the widest possible audience. In fact, many films were aimed at mature audiences seeking intelligent and restrained drama. Few films, however, dealt with the complexities of middle age and the day-to-day difficulties of maintaining a marriage. Dodsworth […]

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Saturday, April 1st, 2017

Give ‘em the Dickens

The novels of Charles Dickens should be ripe for film adaptation. The plucky heroes, sentimental plots, and rich background characters would be instantly recognizable if translated to the screen properly. That’s the problem. What film could possibly live up to the novels, which often run a thousand pages or more? (Dickens was usually paid according […]

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